This is the sequel to Prelude To Mayhem, and while some things in the world have changed, my mental block that insists that ‘mayhem’ is spelled ‘meyham’ persists. I blame the [spoiler] that broke the world. Neener.
Really, though, this is a good follow-up to ‘Prelude’. It expands the world without making things complicated, adds layers without going too far overboard, and generally is a good addition to the canon. Characters develop nicely, and we get a lot more background on what happened and why.
Despite all that, however, I found I was just not as into the book as the first. I suspect is is because the protagonist was portrayed as much more of an insensitive jerk than originally. In ‘Prelude’, Harrison came off as a well-meaning, if terminally clueless, introvert thrust into a world even less understandable than the real one. Here, we get him portrayed as less clueless and more cruel – not a bully, just so amazingly unaware that ir crosses from cute to insensitive to outright mean in the course of the first half of the book. And that bugged me a lot. It seemed fairly out of character for the Harrison in my memory, and a needless addition to his personality. In short, it didn’t have a cause, wasn’t a setup for redemption (although he is redeemed), it just seemed like the author was told to make the guy a jerk – readers like jerks.
We don’t, by the way.
Otherwise, there was a lot to like. We got a ton of background on the world and not only what happened, but why and even how. And who caused it. That was interesting, if a bit drawn out. Several sections were like that – interesting, but too long. Oddly, this doesn’t have the feel of an author bulking up the page count. It feels a lot more like there is something I am missing in the extended passages. These could be connected to future books, important to the author personally, or just me ascribing motive where the is none. However it works, the pacing suffers from these bits.
Now, one thing I did like had to do with the characters with powers. If you recall, Harrison can open locks. It seems our voice on the radio () is using a power as well (being heard over distances), and we meet several others. Without going into spoiler territory, there is a really interesting use of the concept of magical sympathy here. That was impressive, and a good way to bring a old idea into a new format, and possibly introduce it to a new readership. What really makes this work is the touch of non-static reality that enables the sympathy. To those who remember Mage: The Ascension, this is the idea that perception creates reality. So, if enough of us believe in X, X becomes possible. See also Neil Gaiman’s ‘A Dream Of A Thousand Cats’ from the Sandman series. Very cool stuff.
So, while I found this to be far less fun than Prelude, there is no reason to not check it out. The world building is pretty amazing, and there is a lot of hooks to get caught on.